The fine line between right and wrong are often clearly etched into modern cinema. Audiences become satisfied with the age-long trope that “some men just want to watch the world burn.” That light always overcomes the darkness. That motivations for the wicked are always ill-founded. These absolutes dehumanize the Middle Easterner soldiers of “American Sniper” (2014) and unfairly antagonize anyone perceived as a threat to America.
Continue reading “Daredevil” unveils complexities of good v. evil